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Preview — Being There by Jerzy Kosiński
What is the importance of TV?
How do gardening and politics work together to bring Chance to life?
More lists with this book..
If you listen to audio books you will enjoy this classic performance by Dustin Hoffman. Perhaps you are familiar with the film based on the novel; if you are unfamiliar with the short novel itself, here's your chance to experience a truly insightful and compelling work of literature through the voice of an outstanding actor.
And from what author Jersy Koskinski writes in the first few pages, a reasonable take on the back-story goes like this: main character Chance’s mother died in childbirth, pr..more
A man's past cripples him: his background turns into a swamp and invites scrutiny!
I kind of wish I could start my reading of Kosiński with that title, alas, what's done it's done and nothing can change that. Sadly my first novel by the author and for over thirty years the only one was his (in)famous The Painted Bird. I can't even describe how I hated reading it and how repulsive it felt. I thought then about Kosiński to be the worst author I ever read, hands down. Though to tell the truth I shou..more
It's especially relevant today, when the level of nonsensical wankery by our leaders or so-called celebrities has reached an art form. Chance/Chauncey's 'wisdom' he dispenses from his knowledge of gardening or his constant watching of TV is consistently amusing – as are the reactions of the people around him. Kosinski wri..more
Our focus is on an early middle-aged male named Chance. How he got this name; what Kosinski means by choosing it; and, how it morphs into Chauncy are major tent poles holding up this plot.
Chance is a foundling who has lived in a rich man’s house all his life. By “lived in a rich man’s house,” Kosinski tells us th..more
Then the old man dies. His executors close up the old man's estate and send Chance out into the world. He is wholly unprepared.
A series of improbable events propel Chance into the upper echelons of American society. He meets business leaders, the President, foreign amba..more
A slender gem that needs to be read by all.
VERY HIGHLY RECOMMENDED
I remember he said, 'The only moment of true freedom I ever experience was on airplane suspended between the two collectives.'
The movie version was excellent but with much of the thematic weight of the book missing. And it's not that the book is too voluminous. That part is just unfilmable.
This is a novella, published for the first time in 1970. Being There was meant as a satire, a parody of politics, media and the promiscuity of the era. A simpleton is thrown into the world of powerful politics and media scrutiny and becomes the ultimate flavor of the moment.
The content of this novel baffled me. My instincts made me wonder..more
Ver..more
I saw the film last night, the one staring Peter Sellars.
(view spoiler)[Chance is not Jesus (hide spoiler)] no matter what Melvyn Douglas's granddaughter (on the dvd extras) has to say. It is indeed possible to entirely, and at an angle of 180°, misinterpret a piece of literature. Sometimes one needn't pay attention because one always already knows what They say and so does one.
Although Kosinski tells this story with a third person voice, the poin..more
Libro Desde El Jardin Jerzy Kosinski Pdf
review of another edition
But enough about Donald Trump.
'Being There' is the classic story — further popularized by the classic film — of Chance, the (unemployed??) gardener of a wealthy fellow who at the beginning of our story has just up and died, leaving Chance to fend for himself on the street. Or, that is, he would have been left to fend for himself on the street except that on the way down th..more
He watches television constantly.
In middle age Gardiner is suddenly thrown out of the house into the city. Attempting to deal with a world which he has seen only as reproduced on television, he tries to apply what he has learned from the set. He adopts television behavio..more
Kosinski's short novella is a one-gimmick book: a simple gardener who has never been outside of his employer's residence, who knows first-hand only about gardening, who learns about people and the world fr..more
A back-of-the-book puff piece in my copy cites 'a cr..more
The book was written in 1971,..more
Jerzy Kosinski Books
But then I read this book which feels worlds apart from the previous novel. Now, I know that Kosinksi was accused of plagiarism concerning the painted bird. Wh..more
I first read this novel by Kosinski forty-some years ago when it first came out. I thought it was a terrific novel back then, and continue to think so on second reading. The story of Chance, the Gardiner, will stay with you forever after you have read this. Chance, or Chauncey which his name was modified to, represented the simplest form of a sentient human being. He was raised and continued to exist with a minimum of sensory input about what was going..more
Chance was sheltered from the outside world his entire life. He never left the house of his employer except to tend the garden in the backyard. He cannot read or write and spends his off time watching TV. When his employer dies he is left homeless and thrust into the outside world. After an accident and a few gardening metaphors he is thrust into America's financial and political society.
I found this book incredibly humorous. I loved the iron..more
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| Being There | |
|---|---|
| Directed by | Hal Ashby |
| Produced by | Andrew Braunsberg |
| Screenplay by | Jerzy Kosiński[a] |
| Based on | Being There by Jerzy Kosiński |
| Starring | Peter Sellers Shirley MacLaine Jack Warden Melvyn Douglas Richard Dysart Richard Basehart |
| Music by | Johnny Mandel |
| Cinematography | Caleb Deschanel |
| Edited by | Don Zimmerman |
Production company | |
| Distributed by | United Artists |
Release date | |
Running time | 130 minutes |
| Country | United States |
| Language | English |
| Budget | $7 million[2] |
| Box office | $30.2 million (US)[3] |
Being There is a 1979 American comedy-drama film directed by Hal Ashby. Based on the 1970 novel of the same name by Jerzy Kosiński, it was adapted for the screen by Kosiński and the uncredited Robert C. Jones. The film stars Peter Sellers and Shirley MacLaine, and features Jack Warden, Melvyn Douglas, Richard Dysart, and Richard Basehart.
Douglas won the Academy Award for Best Supporting Actor and Sellers was nominated for Best Actor.[4] The screenplay won the British Academy Film Award for Best Screenplay and the Writers Guild of America Award for Best Comedy Adapted from Another Medium. It was also nominated for the Golden Globe Award for Best Screenplay.
In 2015, the United States Library of Congress selected Being There for preservation in the National Film Registry, finding it 'culturally, historically, or aesthetically significant'.[5]
- 9References
Plot[edit]
Middle-aged, simple-minded Chance lives in the townhouse of a wealthy old man in Washington, D.C. He has spent his whole life tending the garden and has never left the property. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively tells the lawyers that he has no claim against the estate and is ordered to move out.
Chance wanders aimlessly, discovering the outside world for the first time. Passing by a TV shop, he sees himself captured by a camera in the shop window. Entranced, he steps backward off the sidewalk and is struck by a chauffeured car owned by elderly business mogul Ben Rand. In the car is Rand's much younger wife Eve, who mishears 'Chance, the gardener' in reply to the question who he is, as 'Chauncey Gardiner.'
Eve brings Chance to their home to recover. He is wearing expensive tailored clothes from the 1920s and 1930s, which his benefactor had allowed him to take from the attic, and his manners are old-fashioned and courtly. When Ben Rand meets him, he takes 'Chauncey' for an upper-class, highly-educated businessman who has fallen on hard times. Rand admires him, finding him direct, wise and insightful.
Rand is also a confidant and advisor to the President of the United States, whom he introduces to 'Chauncey.' In a discussion about the economy, Chance takes his cue from the words 'stimulate growth' and talks about the changing seasons of the garden. The President misinterprets this as optimistic political advice and quotes “Chauncey Gardiner” in a speech. Chance now rises to national prominence, attends important dinners, develops a close connection with the Soviet ambassador, and appears on a television talk show during which his detailed advice about what a serious gardener should do is misunderstood as his opinion on what would be his presidential policy.
Though he has now risen to the top of Washington society, the Secret Service and some 16 other agencies are unable to find any background information on him. During this time Rand's physician, Dr. Allenby, becomes increasingly suspicious that Chance is not a wise political expert and that the mystery of his identity may have a more mundane explanation. Dr. Allenby considers telling Rand this, but realizing how happy Chance is making him in his final days keeps him silent.
The dying Rand encourages Eve to become close to 'Chauncey.' She is already attracted to him and makes a sexual advance. Chance has no interest in or knowledge of sex, but mimics a kissing scene from the 1968 film The Thomas Crown Affair, which happens to be showing on the TV. When the scene ends, Chauncey stops suddenly and Eve is confused. She asks what he likes, meaning sexually; he replies 'I like to watch,' meaning television. She is momentarily taken aback, but decides she is willing to masturbate for his voyeuristic pleasure, thereby not noticing that he has turned back to the TV and is now imitating a yoga exercise on a different channel.
Chance is present at Rand's death and shows genuine sadness at his passing. Questioned by Dr Allenby, he admits that he 'loves Eve very much' and also that he is just a gardener. When he leaves to inform Eve of Ben's death, Allenby says to himself, 'I understand,' but interpretation of that is left to the viewer.
While the President delivers a speech at Rand's funeral, the pallbearers hold a whispered discussion over potential replacements for the President in the next term of office and unanimously agree on Chauncey Gardiner as successor. Oblivious to all this, Chance wanders off through Rand's wintry estate. He straightens out a pine sapling flattened by a fallen branch, then walks across the surface of a lake. He pauses, dips his umbrella deep into the water under his feet (confirming for the viewer that it is not just a skim of water on the ground), then continues on, while the President is heard quoting Rand: 'Life is a state of mind.'
Cast[edit]
- Peter Sellers as Chance the gardener (Chauncey Gardiner)
- Shirley MacLaine as Eve Rand
- Melvyn Douglas as Ben Rand
- Richard A. Dysart as Dr. Robert Allenby
- Jack Warden as the President
- Richard Basehart as Soviet Ambassador Vladimir Skrapinov
- Than Wyenn as Ambassador Gaufridi
- David Clennon as Thomas Franklin
- Fran Brill as Sally Hayes
- Ruth Attaway as Louise
- Denise DuBarry as Johanna
- Sam Weisman as Colson
- Alice Hirson as the First Lady
- Arthur Rosenberg as Morton Hull
- Jerome Hellman as Gary Burns
- James Noble as Kaufman
- John Harkins as Courtney
- Elya Baskin as Karpatov
- Richard McKenzie as Ron Steigler
- Oteil Burbridge as Lolo (boy on corner)
- Hoyt Clark Harris, Jr. as Secret Service agent Riff
Filming[edit]
Principal filming occurred at the Biltmore Estate, the largest private home in America, located in Asheville, North Carolina.[6]
Melvyn Douglas's granddaughter, Illeana Douglas, visited the set and met Peter Sellers, who is her favorite actor. She has since credited the film for inspiring her to pursue a career in acting. According to Illeana, Sellers and Douglas had known each other since the 1940s, when they first met in Burma during World War II. They often reminisced about their war days while on the set.[7]
Burt Lancaster was Ashby's first choice for the role of Ben Rand.[8]Laurence Olivier was also considered for the role, but he turned it down because of the masturbation scene.[9][10]
According to MacLaine, '(Peter) believed he was Chauncey. He never had lunch with me.. He was Chauncey Gardiner the whole shoot, but believing he was having a love affair with me.'[11]
The making of the film is portrayed in The Life and Death of Peter Sellers, a biographical film of Sellers' life.
Music[edit]
Incidental music is used very sparingly. What little original music is used was composed by Johnny Mandel, and primarily features two recurrent piano themes based on 'Gnossiennes' No. 4 and No. 6 by Erik Satie. The other major piece of music used is the Eumir Deodato jazz/funk arrangement of the opening fanfare from Also Sprach Zarathustra by Richard Strauss.[12]
Mandel was also assisted by his late cousin and fellow composer Miles Goodman with the orchestration of the film.[13][14][15][16][17]
Reception[edit]
The film opened to positive reviews, and gave Sellers a hit after many of his previous films outside of the Pink Panther series had flopped. Film critic Roger Ebert awarded a full grade of 4 out of 4 stars in his original print review[18] and mentions the final scene in his 2005 book The Great Movies II (p. 52),[19] stating that his film students once suggested that Chance may be walking on a submerged pier. Ebert writes, 'The movie presents us with an image, and while you may discuss the meaning of the image, it is not permitted to devise explanations for it. Since Ashby does not show a pier, there is no pier—a movie is exactly what it shows us, and nothing more.'[20]Gene Siskel also gave the film a perfect grade of 4 stars, calling it 'one of those rare films, a work of such electric comedy that you are more likely to watch it in amazement than to break down and laugh.'[21]Janet Maslin of The New York Times called the film 'a stately, beautifully acted satire with a premise that's funny but fragile.'[22]Variety called it 'an unusually fine film' that 'represents Peter Sellers' most smashing work since the mid-1960s.'[23]Kevin Thomas of the Los Angeles Times called it 'a gentle, exquisitely funny film,' adding, 'Sellers hasn't been so terrific—or had such terrific material—in years.'[24]
The film holds a score of 96% on Rotten Tomatoes based on 49 reviews, with an average grade of 8.5 out of 10. The critical consensus reads: 'Smart, sophisticated, and refreshingly subtle, Being There soars behind sensitive direction from Hal Ashby and a stellar Peter Sellers performance.'[25]
Sellers won the Golden Globe Award for Best Actor in a Motion Picture – Musical or Comedy for his performance. He was nominated for the Academy Award for Best Actor as well, at the 52nd Academy Awards, but lost to Dustin Hoffman for Kramer vs. Kramer.
Melvyn Douglas won his second Academy Award for Best Supporting Actor, and a Golden Globe Award for Best Supporting Actor – Motion Picture.[26][27]
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The credits at the film's end roll over an outtake, known as the 'Rafael outtake.' Sellers was later displeased that the outtake ran because he believed it took away from Chauncey's mystique.[28] He also believed the outtake was what prevented him from winning the Oscar.[7][29]
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An alternative credit sequence has waves on a television set as they would appear on an 'unoccupied' channel.
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The film is recognized by American Film Institute in:
- 2000: AFI's 100 Years..100 Laughs – #26[30]
Home media[edit]
A 30th Anniversary Edition was released on DVD and Blu-ray in February 2009.[7]The Criterion Collection issued the film on DVD and Blu-ray in March 2017.[31]
See also[edit]
- Politics in fiction – a list of other fictional stories in which politics similarly features as an important plot element
- The Career of Nicodemus Dyzma – a novel said to bear strong resemblance to Being There and thus a subject of controversy in 1982
Notes[edit]
- ^Robert C. Jones worked extensively on the screenplay. He has said that both he and Kosiński initially shared a writing credit, but the Writers Guild of America overruled the decision and awarded Kosiński sole credit.[1]
References[edit]
- ^Kaufman, Debra (March 1, 2014). 'Robert C. Jones: 2014 ACE Career Achievement Award Honoree'. Cinemontage. Motion Picture Editors Guild. Retrieved November 22, 2018.
- ^'The Films of Hal Ashby'. Beach, Christopher (2009). Detroit, Michigan: Wayne State University Press, p. 177, ISBN978-0-8143-3415-7.
- ^'Being There, Box Office Information'. Box Office Mojo. Retrieved June 6, 2013.
- ^'The 52nd Academy Awards (1980) Nominees and Winners'. SAMPAS.
- ^Mike Barnes (December 16, 2015). ''Ghostbusters,' 'Top Gun,' 'Shawshank' Enter National Film Registry'. The Hollywood Reporter. Retrieved December 16, 2015.
- ^Henion, Leigh Ann (March 2011). 'A Behind-the-Scenes Visit to Biltmore'. Our State. Retrieved May 12, 2015.
- ^ abcVigil, Delfin (February 15, 2009). 'Illeana Douglas inspired by Melvyn's 'Being There''. San Francisco Gate. Retrieved September 6, 2015.
- ^Dawson, Nick (2009). Being Hal Ashby: Life of a Hollywood Rebel. University Press of Kentucky. ISBN9780813139197.
- ^Mell, Eila (2005). Casting Might-Have-Beens: A Film by Film Directory of Actors Considered for Roles Given to Others. McFarland. ISBN9781476609768.
- ^Dawson, Nick (2009). Being Hal Ashby: Life of a Hollywood Rebel. University Press of Kentucky. ISBN9780813139197.
- ^'Shirley MacLaine On What Peter Sellers Was Really Like' on YouTube
- ^Stoehr, Ingo Roland (2001). German Literature of the Twentieth Century: From Aestheticism to Postmodernism. Boydell & Brewer. ISBN9781571131577.
- ^'Miles Goodman, 47, Composer for Films'. The New York Times. August 20, 1996. Retrieved March 25, 2015.
- ^Jablon, Robert (August 18, 1996). 'MILES GOODMAN, FILM COMPOSER AND JAZZ RECORD PRODUCER, DIES'. Associated Press. Retrieved March 25, 2015.
- ^Oliver, Myrna (August 20, 1996). 'Miles Goodman; Record Producer, Film Composer'. Los Angeles Times. Retrieved March 25, 2015.
- ^'Miles Goodman: Composer'. Sarasota Herald-Tribune. August 22, 1996. Retrieved March 25, 2015.
- ^'Record producer, composer Miles Goodman dies at 47'. The Daily Gazette. August 21, 1996. Retrieved March 25, 2015.
- ^Ebert, Roger. 'Being There'. RogerEbert.com. Retrieved November 24, 2018.
- ^Ebert, Roger (2006), The Great Movies II, Random House, Inc., p. 52, ISBN978-0-7679-1986-9
- ^Ebert, Roger (May 25, 1997). 'Being There review'. Chicago Sun-Times. Archived from the original on December 12, 2010. Retrieved December 12, 2010.
- ^Siskel, Gene (February 8, 1980). 'Sellers builds on perfection in 'Being There'. Chicago Tribune. Section 3, p. 3.
- ^Maslin, Janet (December 20, 1979). 'Film: Ashby-Kosinksi 'Being There''. The New York Times: C20.
- ^'Being There'. Variety: 19. December 19, 1979.
- ^Thomas, Kevin (December 20, 1979). 'A Kosinski Novel Comes to Life'. Los Angeles Times. Part IV, p. 36.
- ^'Being There'. Rotten Tomatoes. Retrieved November 24, 2018.
- ^Flint, Peter B. (August 5, 1981). 'MELVYN DOUGLAS DEAD; ACTOR, 80, WON 2 OSCARS'. The New York Times. Retrieved May 12, 2015.
- ^Reid, Joe (February 24, 2014). 'The Oscar Ballot Explained: Best Supporting Actor/Actress'. Thewire.com. Retrieved May 12, 2015.
- ^Kim, Wook (November 26, 2012). 'After 'The End': 10 Memorable End-Credit Scenes'. Time. Retrieved May 12, 2015.
- ^Dawson, Nick (2009). Being Hal Ashby: Life of a Hollywood Rebel. University Press of Kentucky. ISBN9780813173344.
- ^'AFI's 100 Years..100 Laughs'(PDF). American Film Institute. Retrieved July 17, 2016.
- ^Wilkins, Budd (March 29, 2017). 'Being There'. Slant Magazine. Retrieved June 23, 2017.
Bibliography[edit]
- Beech, Christopher (2009). The Films of Hal Ashby. Detroit: Wayne State University Press. ISBN978-0-8143-3415-7.
- Finkelstein, Joanne (2007). The Art of Self Invention: Image and Identity in Popular Visual Culture. London: I. B. Tauris. pp. 9, 98–99. ISBN1-84511-395-0.
- Nichols, Peter M.; A. O. Scott; Vincent Canby (2004). The New York Times Guide to the Best 1,000 Movies Ever Made. New York: Macmillan. pp. 93–94. ISBN0-312-32611-4.
- Sikov, Ed (2002). Mr. Strangelove: A Biography of Peter Sellers. New York: Hyperion. ISBN0-7868-8581-5.
- Tichi, Cecelia (1991). Electronic Hearth: Creating an American Television Culture. New York: Oxford University Press. ISBN0-19-507914-0.
External links[edit]
| Wikiquote has quotations related to: Being There |
- Being There on IMDb
- Being There at AllMovie
- Being There at Box Office Mojo
- Being There at Rotten Tomatoes
- Being There: American Cipher an essay by Mark Harris at the Criterion Collection